Shyamalan and Racism: The Water Tribes
Let’s compare the movie water tribes. Shyamalan has kept mainly to canon when it comes to the backstory i.e. the Southern Water Tribe is diminished in numbers and due to their lack of benders lives in igloos rather than waterbend structures. The Northern Water Tribe has a walled city with elaborate houses and grand public places. The Northern Water Tribe is also the first time we see distinctly Chinese architecture. So far, so good.
Now what isdifferentwrong? Take a close look at the extras in both places. In the Southern Water Tribe all extra but for one woman with red hair are First Nation. In the Northern Water Tribe all extras are White.
Why cast different race actors for the water tribes? Why make the one devastated by war First Nation and the prosperous one White?
Shyamalan’s idea on what diversity is supposed to be becomes really obvious if you take into account what he did to Aunt Wu’s village.
Apparently the only groups worthy of being shown prosperous and civilized are Indians and White people.
Part One: Masterpost and Gibberish in the opening scene
Part Two: Kyoshi Island and Earthbenders
Part Three: Cut scene of unimaginable racist WTF
Part Four: ATLA is not King Arthur
Part Five: Fire Nation apologist: Movie vs. animated Agni Kai
Part Six: The Fire Nation is not Rome, nor is it India.
Part Seven: The WTF that is Aunt Wu’s village
Part Eight: Northern Water Tribe vs Southern Water Tribe
Part Nine:
Shyamalan’s Dalai Lama - Avatar - Fire Nation Dilemma: The Savior
Part Ten: Family Portrait
Part Eleven: Have some more gibberish
Part Twelve: Victim Blaming



